It’s a quick and easy way to clean up mud and hiss, allowing you to open up plenty of room for other mix elements. Designed to be first-in-chain plugin, Cleansweep mimics the filter section found on high-end analog consoles like SSLs and Neves. Brainworx bx_cleansweep V2īrainworx/Plugin Alliance offer several free, useful plugins, including the Cleansweep filter. You can use it as either a state variable filter or resonant filter, and it comes with other handy features like LFO, envelope controls, drive, and even a resizable GUI. HY-Filter3 is a free multimode filter plugin. It features seven different types of filtering with basic cutoff and resonance controls. This is a straightforward filter with easy-to-use controls. FilterBank sounds great on electronic drum beats. The FilterBank plugin by Wolfgang Krumme is an 8-band filter bank with adjustable volume and frequency for each band, and a bandwidth control for all bands. It features low-pass, high-pass, band-pass, and notch filtering, with independent control of the left and right channels. The Rubber Filter VST by Christian Budde is a highly versatile 6-384 dB/Oct filter. This is a fun one to really experiment with and try out all of the potential weird stuff it can do. More than just an “equalizer,” it can be used for tremolo or gate effects. TAL-Filter-2 is a host-synced filter module with different filter types, panorama, and volume modulation possibilities. On to the list! These are among the top filter plugins for a variety of styles of filtering, from simple to complex. As simple as they are, filter plugins are one of the most powerful tools we have. For example, using the resonance parameter you can actually create a boost around the cutoff to create a sort of whooshing sound. You can achieve the popular telephone effect using a band-pass filter.īeyond the basics, filters let you manipulate sound in very unique ways. Band-pass filter: Filters both the lows and highs, but keeps the midrange intact. But one of the simplest uses for a HPF is to clean up your mix by filtering the lows on instruments that don’t need them. You can reverse the trick above and make a song sound thin and gradually fill it out by adding low-end back.
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